"Lauren Lovette" tag
New York City Ballet in Justin Peck’s Rotunda.© Erin Baiano. (Click image for larger version)

New York City Ballet – Classic NYCB II bill with new Justin Peck – New York

★★★✰✰   In the last week of its winter season, New York City Ballet unveiled a new work by its resident choreographer, Justin Peck, to a score by the popular neo-Minimalist composer Nico Muhly. It was a homecoming of sorts for Peck…

Megan Fairchild and NYCB in Ratmansky’s Voices.© Erin Baiano. (Click image for larger version)

New York City Ballet – Voices (new Ratmansky), and New Combinations bill – New York

★★★★✰   There was always something new around the corner, a surprising shape, a witty step, an unlikely transition. It’s clear that Ratmansky felt liberated by the unusual structure and soundscape…

Lauren Lovette and Joseph Gordon in George Balanchine’s Stravinsky Violin Concerto.© Erin Baiano. (Click image for larger version)

New York City Ballet – Stravinsky & Balanchine bill – New York

★★★★✰   New York City Ballet is off to a fine start when it opens the winter season with a very well-danced all Balanchine, all Stravinsky program.

Georgina Pazcoguin and Company in Lauren Lovette’s The Shaded Line.© Erin Baiano. (Click image for larger version)

New York City Ballet – Fall Fashion Gala with The Shaded Line, Lineage, Symphony in C – New York

★★★✰✰   Kudos to Lovette for really going out on a limb… The Shaded Line feels truly her own, and it’s clear that she has much to say about her chosen profession…

Joseph Gordon and Ashley Bouder in Balanchine's Scotch Symphony.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine quad bill including Scotch Symphony – New York

★★★★✰   There’s a reason why New York City Ballet doesn’t do George Balanchine’s Scotch Symphony very often. It’s a strangely disjointed ballet…

Sara Mearns and Jared Angle in Jerome Robbins' In the Night.© Erin Baiano. (Click image for larger version)

New York City Ballet – Robbins bill: Interplay, In the Night, N.Y. Export: Opus Jazz – New York

★★★✰✰   There was virtually nothing to fault with “In the Night” on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled

ABT in Jessica Lang's Garden Blue.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York

★★★✰✰   The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.

Taylor Stanley in Kyle Abraham’s The Runaway, in costumes by Giles Deacon.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala: The Exchange, Judah, The Runaway – New York

★★★✰✰   No evening of new works is perfect; the excitement lies in the hope that at some point some magic will happen. And in that solo for Taylor Stanley by Kyle Abraham, we got a glimpse of that magic.

Choreographer Lauren Lovette working with Ashley Bouder on Red Spotted Purple.© Gibney/Ashley Bouder - from Instagram original.

Ashley Bouder Project – Red Spotted Purple, Duet, Alas, Symbiotic Twin, In Pursuit Of – New York

★★★✰✰   Bouder’s pick-up ensemble of eight, which she refers to as an arts collaborative, reflects her ideals. It is racially diverse; the choreographers include both men and women. Not all the choreographers are white. This should be par for the course, but it’s not.

New York City Ballet in The Concert.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 4 bill – New York

★★★★✰   It was a good night for Afternoon of a Faun, in particular. Chase Finlay, débuting in the role of the young dancer sensually lolling about a ballet studio, brought back the eroticism this ballet often lacks.

Unity Phelan and Zachary Catazaro in Christopher Wheeldon’s Polyphonia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Liturgy, Polyphonia, Odessa, The Times are Racing – New York

★★★★✰   The oldest piece on the program is Wheeldon’s Polyphonia. Made in 2001, it has stood the test of time. Just last week it was performed at the Fall for Dance festival…

Sara Mearns and Jared Angle in Justin Peck's Pulcinella Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala: new work by Schumacher, Reisen, Lovette, Peck – New York

★★★✰✰   At New York City Ballet, the fall fashion gala has become a showcase for work by young choreographers. Each one is paired up with a fashion designer and voilà, it’s an event.

Tiler Peck and the company in The Times Are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – American Rhapsody, The Four Temperaments, The Times Are Racing – Washington

★★★✰✰   To watch works created by the 29-year old Justin Peck, resident choreographer of New York City Ballet, is to experience what it feels like to be young.

Still from NYCB's promotional video for Justin Peck's The Decalogue.© NYCB. (Click image for larger version)

New York City Ballet – HERE/NOW Festival No. 6 & 8 including Peck’s The Decalogue (premiere) – New York

★★★✰✰   With his latest, The Decalogue, which opened on May 12, Justin Peck seems to have turned a new page…

Unity Phelan and Zachary Catazaro in Polyphonia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – HERE/NOW Festival, Wheeldon Quad bill – New York

★★★✰✰   It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue…

Tiler Peck in Justin Peck's The Times are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Times are Racing, The Shimmering Asphalt, Fearful Symmetries – New York

★★★✰✰   More than anything, Peck’s “The Times are Racing” reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

New York City Ballet in Peter Walker's Ten in Seven.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala 2016 – New York

★★★✰✰   The pattern is set: the company commissions works from three or four choreographers, often quite young, and pairs them with prominent designers. The works are short, and are introduced by filmlets…

Sterling Hyltin and Amar Ramasar in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, The Four Temperaments, Duo Concertant, Symphony in Three Movements – Paris

★★★★✰   The pleasure, above all, in watching this company is their fearless super-charge of energy and their commitment as the inheritors of Balanchine’s ballets.

Teresa Reichlen and Russell Janzen in Diamonds.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – New York

★★★✰✰   What do you do with a problem like Jewels? This 1967 blockbuster by George Balanchine is a hard one to pull off…

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