Gallery by Foteini Christofilopoulou...
Tag - London
Tao Ye has a very singular, uncompromising vision. The works are stark and unadorned, using very simple vocabulary...
Gallery by Foteini Christofilopoulou...
Gallery by Foteini Christofilopoulou...
Gillian Lynne has made Helpmann and Benthall's wartime collaboration into a gutsy dramatic ballet, probably with more choreography than Helpmann attempted.
Royal Ballet Ashton Bill featuring Scènes de ballet, Five Brahms Waltzes in the Manner of Isadora Duncan, Symphonic Variations and A Month in the Country. Gallery by Dave Morgan...
What a strange world flamenco dancer Rocío Molina conjures up for us in her latest show...
Gallery by Foteini Christofilopoulou...
As The Royal Ballet prepares to celebrate Frederick Ashton with an all Ashton quad bill, two other events have also been celebrating the work of the Royal Ballet's founder choreographer...
...Like Rabbits is a clever work that burrows under your skin...
Finnish choreographer Maija Hirvanen has created a very arresting seven-minute solo for the limber and watchable Andrius Katinas, and...
As a dance outreach project, Matthew Bourne’s Lord of the Flies is a rather marvellous thing...
Gallery by Foteini Christofilopoulou...
Theo Clinkard Accumulation, Ordinary Courage London, Laban Theatre 28 January 2014 www.theoclinkard.com www.trinitylaban.ac.uk At just a few minutes long, the first piece of this double bill – Trisha Brown’s wonderfully wry Accumulation – is more of an amuse-bouche than main course. The bitty solo, performed by Theo Clinkard, nevertheless sates, its playful pedestrianism indulging where its...
The biggest bonus in this all-Cuban entourage is the superb eight-strong band that plays live onstage ...throughout the show.
I should have known better. Going to a Wendy Houstoun gig with a pre-conceived notion of what to expect is indeed a pact with pointlessness.
Gallery by Dave Morgan...
The concept is simple: three dancers enter the stage in turn and perform sequences of minimal movement, stepping or crawling across the stage in slow motion.
This deconstruction of the art of creating choreography sets a new benchmark for a retrospective look at an artist’s body of work.