★★★★✰ Marina Harss with thoughts/observations on La Valse, Other Dances, After the Rain pas de deux, Agon, Monumentum Pro Gesualdo, Movements for Piano and Orchestra and Chaconne.
Tag - Maria Kowroski
★★★✰✰ The Fall Fashion Gala has become a staple at New York City Ballet, a siren song to the well-heeled, who show up in their fineries year after year. It’s also a big money-maker...
★★★✰✰ New York City Ballet’s fall season in New York continues with Opus 19/The Dreamer (Robbins), Russian Seasons (Ratmansky) and Amaria - a new piece for Maria Kowroski, who is about to retire from the company, by Mauro Bigonzetti.
★★★★✰ "Boy is it good to be in the presence of dancers and musicians again." concludes Marina Harss review of New York City Ballet’s fall season opening performance.
★★★★★ ...a satisfying film in which dance is treated as a work of art, like a painting or a sculpture that moves. New York City Ballet’s virtual spring gala is the most successful version of this approach I’ve seen.
★★★✰✰ Kudos to Lovette for really going out on a limb... The Shaded Line feels truly her own, and it’s clear that she has much to say about her chosen profession...
Ivan Putrov's latest project, Against the Stream, gets its premiere on Sunday 7 April 2019 at the London Coliseum. Jann Parry finds out all about it...
★★★✰✰ There was virtually nothing to fault with "In the Night" on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled
★★★✰✰ One of the earliest things I appreciated about Balanchine is that he made me feel okay about liking Tschaikovsky (as NYCB likes to spell it)...
★★★★✰ The programme, performed by two very different American ballet companies, displayed Robbins’s versatility while revealing the similarities in his approach to music.
★★★★✰ It was a good night for Afternoon of a Faun, in particular. Chase Finlay, débuting in the role of the young dancer sensually lolling about a ballet studio, brought back the eroticism this ballet often lacks.
★★✰✰✰ Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere...
New York City Ballet 20th Century Violin Concertos: The Red Violin, In Memory Of…, Stravinsky Violin Concerto ★★★✰✰ New York, David H. Koch Theater 7 October 2017 www.nycballet.com davidhkochtheater.com It goes without saying that Stravinsky Violin Concerto is considered one of Balanchine’s greatest works, but never have I seen it shine so brightly than Saturday night at the Koch, with...
★★★★✰ The oldest piece on the program is Wheeldon’s Polyphonia. Made in 2001, it has stood the test of time. Just last week it was performed at the Fall for Dance festival...
★★★✰✰ With only four works, no intermissions and a run time of less than two hours, New York City Ballet’s Spring Gala was short and to the point.
★★★✰✰ It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue...
★★★✰✰ Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.
★★★★✰ Vienna Waltzes is a sure-fire hit. It seduces on many fronts: the ridiculously flattering gowns by Karinska (her last for the company), the sumptuous music, the multitudes of dancers...
After a week of modernist works by Balanchine set mostly to Stravinsky, Hindemith, Webern, there’s no denying that a night of French music falls sweetly on the ear.
The New York City Ballet spring season is off to the races with a week devoted to George Balanchine, specifically the “black-and-white” ballets that for many have come to define his style.