"Merce Cunningham" tag
Night of 100 Solos at London's Barbican Theatre.© Foteini Christofilopoulou. (Click image for larger version)

Merce Cunningham Trust – Night of 100 Solos, Centennial Event – London

★★★★✰   A quote from The Observer’s dance critic, Nigel Gosling, in 1964: ‘Merce Cunningham and his company have burst on the British scene like a bomb …heart-warming proof that here is an art with a future…’

Night of 100 Solos at the Brooklyn Academy of Music.© Stephanie Berger. (Click image for larger version)

Merce Cunningham Trust – Night of 100 Solos, Centennial Event – New York

★★★★✰   What impresses overall is the clarity of the technique; the precision and control it requires. And the way it enlarges the dancers, distilling their strengths, stretching them to the limit.

Daphne Fernberger in London's Night of 100 Solos.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Night of 100 Solos in London: Merce Cunningham Trust, Centennial Event

Gallery by Foteini Christofilopoulou…

Charles Atlas, Rashaun Mitchell and Silas Riener's Tesseract.© Mick Bello / EMPAC. (Click image for larger version)

Charles Atlas, Rashaun Mitchell and Silas Riener – Tesseract – London

★★★✰✰   Tesseract is a curious, sometimes disorienting mix of film, live dance, and projections of filmed live dance.

Eddie Nixon, Artistic Director of The Place.© Hugo Glendinning. (Click image for larger version)

Eddie Nixon, new Artistic Director of The Place

Eddie Nixon has just been appointed as The Place’s Artistic Director – Graham Watts is first to interview him about his new role and plans…

m/y by Julie Cunningham.© Foteini Christofilopoulou. (Click image for larger version)

Julie Cunningham, Botis Seva and Alesandra Seutin – Reckonings bill – London

★★★✰✰   Reckonings celebrates the 20th anniversary of the reopening of Sadler’s Wells after its rebuild. Rather than commemorate previous successes, it presents three new works commissioned from emerging UK choreographers as a deliberate statement of belief in the future.

Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

Raffaele Morra.© Zoran Jelenic. (Click image for larger version)

Raffaele Morra – Ballet Master and Rehearsal Director, Les Ballets Trockadero de Monte Carlo

Next month – September – The Trocks open their 2018 UK tour which runs through to November and covers many towns and cities across the land. A good primer on all things Trockadero as Diane Parkes speaks to Raffaele Morra, whose been with the company these last 17 years…

Choreographer Lauren Lovette working with Ashley Bouder on Red Spotted Purple.© Gibney/Ashley Bouder - from Instagram original.

Ashley Bouder Project – Red Spotted Purple, Duet, Alas, Symbiotic Twin, In Pursuit Of – New York

★★★✰✰   Bouder’s pick-up ensemble of eight, which she refers to as an arts collaborative, reflects her ideals. It is racially diverse; the choreographers include both men and women. Not all the choreographers are white. This should be par for the course, but it’s not.

Nicholas Bodych and Elly Braund in Carnaval.© Chris Nash. (Click image for larger version)

Richard Alston Dance Company – Mid Century Modern, Carnaval, Cut and Run – London

★★★★★   It must be tempting to get carried away by sentiment when it comes to celebrating both a 70th birthday and fifty years as a choreographer in a programme that also marks the departure of a special muse.

Christopher Williams Il Giardino d’Amore.© Ian Douglas. (Click image for larger version)

Memorable Performances of 2017 – New York

Six Performances That Stayed with Me in 2017 – Marina Harss with her personal selection of New York dance memories this last year.

Carmen de Lavallade immediately after receiving her Honors medallion.© John P. Filo/CBS. (Click image for larger version)

Carmen de Lavallade Honoured at The 40th Annual Kennedy Center Honours

Dancer, choreographer, actress, teacher, director, writer, and mentor, Carmen de Lavallade is a true artist in every sense of the word – and a true legend.

Liz Lerman.© Lise Metzger. (Click image for larger version)

Dance Umbrella Lecture 2017 – Liz Lerman: “Finding the Thread, Losing the Plot”

Liz Lerman is an enlightened performer, writer, educator and speaker. A tiny woman with a quietly formidable presence, her lecture was an inspirational manifesto for dance and life.

James Pett, Fukiko Takase, Travis Clausen-Knight, Jordan James Bridge and Jessica Wright in Autobiography.© Dave Morgan. (Click image for larger version)

Company Wayne McGregor – Autobiography – London

★★★✰✰   Each performance of Wayne McGregor’s Autobiography will be different, since its composition is to be determined by an algorithm based on his genetic code. …whatever a reviewer describes will never be the same again.

Catherine Turocy, director New York Baroque Dance Company.© Courtesy New York Baroque Dance Company. (Click image for larger version)

Interview – Catherine Turocy, artistic director of New York Baroque Dance Company

Meticulous reconstructions of Petipa, Cunningham, Graham, Taylor works are performance staples these days. Much rarer is a reconstruction like “Le Temple de la Gloire” (The Temple of Glory) a 1745 political opera-ballet with music by Jean-Philippe Rameau and a libretto by the philosopher Voltaire….

Nicholas Sciscione and Joshua Tuason in Untitled Touch.© Julie Lemberger. (Click image for larger version)

Stephen Petronio Company – Bloodlines: works by Rainer, Paxton, Halprin, Petronio – New York

★★★✰✰   Two interesting impulses have been evident in the modern and post-modern dance scene in New York of late….
(Works danced: Diagonal, Trio A With Flags, Chair-Pillow, Excerpt from Goldberg Variations, The Courtesan and the Crone, Untitled Touch)

Sean Mahoney, Parisa Khobdeh and Heather McGinley in Martha Graham's Diversion of Angels.© Paul B. Goode. (Click image for larger version)

Paul Taylor American Modern Dance & Lyon Opera Ballet – Icons: Graham, Cunningham, Taylor – New York

★★★★✰   Sunday night, the New York dance scene flocked to see three of America’s dance pioneers side by side in “Icons: Graham, Cunningham, Taylor.

Eran Bugge and Robert Kleinendorst in Esplanade.© Paul B. Goode. (Click image for larger version)

Paul Taylor’s American Modern Dance – Book of Beasts, The Word, Esplanade – New York

★★★★✰   What is it about Esplanade that makes us so elated, so satisfied, so moved?

Julie Cunningham and Hannah Burfield in Returning.© Foteini Christofilopoulou. (Click image for larger version)

Julie Cunningham and Company – Returning, To Be Me – London

★★★✰✰   A final poem, ‘Man Down’, calls for compassion and acceptance that we are all combinations of male and female. The message is in the words rather than in the bodies of the dancers.

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