Eifman Ballet – The Pygmalion Effect – San Francisco
★★★★✰ Yes, the narrative has its inherent challenges, but the choreography, performances and design all riveted with drama, intensity and humour.
Scottish Ballet – Dextera, Elite Syncopations – Inverness
★★★★✰ It’s the company’s 50th Anniversary season and rather than start it, as you might expect, in Glasgow or Edinburgh, they opened in Scotland’s most northerly city, Inverness, with a special premiere and a full-on party for all.
5 Questions to Sophie Laplane – a Scottish Ballet Artist in Residence – about her new work, Dextera
Sophie Laplane, former company dancer, is now a Scottish Ballet Artist in Residence and her first main stage commission opens the companies 2019 season in Inverness on the 28 March, before touring to Glasgow, Aberdeen and Edinburgh. We catch up with her about the new work and what else she is up to…
San Francisco Ballet – Divertimento No. 15, Appassionata, Hurry Up, We’re Dreaming – San Francisco
★★★★✰ A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.
Alessandra Ferri, Herman Cornejo and Bruce Levingston – TRIO ConcertDance – London
★★★★✰ A harmonious blending of music and dance, it proved seventy-five minutes of non-stop bliss!
American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York
★★★✰✰ The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.
Christopher Hampson, Scottish Ballet’s Director, on celebrating the companies 50th anniversary in 2019 & future plans
Scottish Ballet have just announced plans for their Fiftieth Anniversary in 2019, including three world premieres – we have the full press release and touch-base with CEO/Artistic Director Christopher Hampson about the celebrations and what happens beyond…
Fall for Dance 2018, Program 1 – Boston Ballet, Sara Mearns, Caleb Teicher & Co, Cie Hervé Koubi – New York
★★★★✰ On the second night the program was offered, Mearns was stunning, but the remaining three pieces, by three different companies were, to varying degrees, engaging, although hers was a tough act to follow.
Northern Ballet – The Kingdom of Back, Mamela…, The Shape of Sound – Leeds
★★★★✰ A good night of new work for Leeds coupling a rising star from outside with local and much-loved company talent.
Mark Morris Dance Group – Love Song Waltzes, I Don’t Want to Love, The Trout – New York
★★★✰✰ How striking Morris’ dancers are, how diversified in form and unique in expression and cohesive as a troupe — ever present and responsive to each other.
Alain Platel & Fabrizio Cassol – Requiem pour L. – London
✰✰✰✰✰ I have to ask how one associates a star rating with a performance in which the largest, continuing visual image is a close-up, slow motion film of an actual death.
New York Theatre Ballet – Septet, Rondo, Concertino, Wings/A Petroushka Collage – New York
★★★✰✰ New York Theatre Ballet’s director, Diana Byer, is known for dusting off the dance history books, and giving a dose of challenging revivals. This time NYTB joins may companies around the country and indeed, the world, in celebrating Jerome Robbins’ centennial…
New York City Ballet – All Balanchine No. 1 & 2, 21st Century Choreographers bills – New York
★★★★✰ After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.
Svetlana Zakharova – Amore: Francesca da Rimini, Rain before it Falls, Strokes Through the Tail – London
★★★✰✰ Happy for Zakharova who ultimately curated an interesting night, very happy to see her retinue of Bolshoi dancers and happy to see Donlon provide such final good cheer.
Twyla Tharp Dance – The Raggedy Dances, The Fugue, Entr’acte, Dylan Love Songs – New York
★★✰✰✰ It all sounds terribly promising, and yet the evening falls as flat as a soufflé left in the oven for too long.
San Francisco Ballet and School – Student Showcase, Promotions and Company Joiners
San Francisco exists in its own world, out here on the distant West Coast. The San Francisco Ballet, though, just became more global than ever, with new 2017-18 members joining from around the world. The company school, which presented its annual Student Showcase 31 May through 2 June at YBCA Theater, draws international students as well…
American Ballet Theatre – Whipped Cream – New York
★★★★✰ Alexei Ratmansky’s new ballet for ABT, Whipped Cream, is like a Viennese confection: so layered and airy that it takes a moment to fully take in the flavor of its many ingredients.
Washington Ballet – Kylián, Peck, Forsythe – Washington
★★★✰✰ Forsythe’s emblematic In the Middle, Somewhat Elevated was created 30 years ago. Still, the ballet retains its explosive spirit and irresistible urgency, as well as its ability to thrill.
Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet
Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…
San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco
★★★★✰ The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.
