ODC boasts world-class contemporary dancers, and they moved with weight, intention and a compelling tenderness...
Tag - San Francisco
Principal dancers Mathilde Froustey and Carlos Quenedit were exactly what the audience wanted on opening night.
Developed in 1995 by New York choreographer Susan Rethorst, Dance Wrecking entails inviting colleagues to view your in-progress work, then granting them freedom to “wreck” it...
San Francisco Ballet's Program 4 is a double bill coupling a welcome return of Robbins' Dances at a Gathering with a Liam Scarlett's Hummingbird.
Program 3 features Hans van Manen's Variations for Two Couples, William Forsythe's The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.
...Kochetkova and Luiz told the tale beautifully...
America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson...
The SF Ballet premiere of choreographer-in-residence Yuri Possokhov's pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan...
Ultimately, it mattered less what Whelan and her collaborators were doing, and more that they were doing.
Starting at the beginning of the dancers’ day, each of the five ballet companies – Australian Ballet, Bolshoi Ballet, The Royal Ballet, The National Ballet of Canada and San Francisco Ballet – will take the lead for a four hour period streaming live from their headquarters...
Though Tan dances with a wonderful lightness and an elegance not quite suited to a naïve peasant girl, she never really emotionally engages with the ardent Karapetyan, who possesses nuanced acting and strong technique, and deserves to have a partner who can match his level of commitment to crafting a role.
The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master...
Ah, the brilliance of brevity. Scott Wells & Dancers plunge straight into Father On with a thirty-second audio track that sums up courtship, marriage,and conception.
At times the choreography doesn't seem to fit this space... Nonetheless, the dancers do a remarkable job with what they are given.
Quite by accident I ended up seeing LINES Ballet’s fall season twice. A good thing I did, too.
This visit by the internationally acclaimed troupe met half of my high expectations – the dancers were as spectacular as ever.
A Rite, in the hands of Jones, Bogart, and Wong, is the most startling and insightful version I have seen...
Earlier this month Smuin Ballet danced their XXtremes bill in San Francisco with works by Amy Seiwert, Jiri Kylian and Michael Smuin. Aimée Tsao with thoughts on the bill and where the company might be heading...
This company is the definition of esprit de corps, period.
Sensitive acting and nuanced dancing by the entire cast contribute immensely to the production.





