San Francisco Ballet's Program 4 is a double bill coupling a welcome return of Robbins' Dances at a Gathering with a Liam Scarlett's Hummingbird.
Tag - Yuan Yuan Tan
Program 3 features Hans van Manen's Variations for Two Couples, William Forsythe's The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.
America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson...
The SF Ballet premiere of choreographer-in-residence Yuri Possokhov's pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan...
New York City Center's Fall For Dance Festival opened its 11th season with a very fresh program...
Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.
Though Tan dances with a wonderful lightness and an elegance not quite suited to a naïve peasant girl, she never really emotionally engages with the ardent Karapetyan, who possesses nuanced acting and strong technique, and deserves to have a partner who can match his level of commitment to crafting a role.
Gallery by Dave Morgan...
The Critics’ Circle National Dance Awards for 2013 took place today in London at The Place’s Robin Howard Dance Theatre.
The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master...
This was an evening not to be missed. Newly appointed Artistic Director, José Manuel Carreño, made sure that the quality of the eighteen guest artists for Ballet San Jose’s Gala Performance would tantalise even the most skeptical dance fan.
No sets – just glorious lighting designs playing essential roles in the performances.
Gallery by Dave Morgan...
In its second mixed bill here in New York, San Francisco Ballet once again impressed with its vitality and the depth of its bench, as well as with its pleasantly unified look.
San Francisco Ballet is in town for two weeks, and on the evidence of opening night, this should be an invigorating visit. The company looks to be in top form.
Christopher Wheeldon's new Cinderella for San Francisco Ballet is spied in 2 more casts by Aimée Tsao. Some nice dancing but still rather an OTT Broadway-style extravaganza.
Program 7 made me think a lot about this tricky issue of programming because this bill is a weird sandwich made with a delectable gourmet filling between slices of bland Wonder bread.
The highlight of the program is Lorena Feijóo's return to the stage in more than one ballet during the evening. After being out on maternity leave for a year ...is dancing better than ever.
I first saw Onegin with Marcia Haydée and Richard Cragun when the Stuttgart Ballett made its New York debut in 1969. So when San Francisco Ballet premiered it in the 2011-12 season I was happy to meet an old acquaintance again.
From Foreign Lands: "This amusing, yet subtle send-up of classical ballet is rewarding in its expertly-shaped choreography, and made all the more appealing by the slight wackiness of the costumes and visual jokes."