Gallery by Dave Morgan…
IMHO, there is no better story-telling choreographer around today….
Both Royal Ballet premieres, one by Kim Brandstrup, the other by Liam Scarlett, were surely keepers, bound to be seen again.
The programme was so underwhelming that I went twice in succession, to see whether alternative casts could make a difference.
Ondiviela has established himself as a choreographer on a bigger scale than before, though still in need of an outside eye as he goes freelance. And he has found a future star in Olivia Cowley.
Fall For Dance Festival – Program 5: Wayne McGregor | Random Dance, Pontus Lidberg Dance, Aakash Odedra Company, Sarasota Ballet – New York
The word transcendent gets tossed around a lot, overused, especially in the performing arts. But if one performer deserves it at this year’s Fall For Dance Festival, it is Aakash Odedra.
Gillian Lynne has made Helpmann and Benthall’s wartime collaboration into a gutsy dramatic ballet, probably with more choreography than Helpmann attempted.
Birmingham Royal Ballet – La Fin du jour, Miracle in the Gorbals, Flowers of the Forest – Birmingham
See these thoughts as a heads up and, ultimately, encouragement to Londoners to go and see an interesting bill…
The advantage of a big company accustomed to performing narrative ballets (something we can take for granted with the Royal Ballet) is that it is able to portray a whole society on stage.
Gallery by Dave Morgan…
The Royal Academy of Dance (RAD) marked the 60th anniversary of its highest honour – the Queen Elizabeth II Coronation Award (QEII Award) – by giving it to The Royal Ballet. A good time for DanceTabs to catch up with director Kevin O’Hare and some of his dancers at the awards reception…
World Ballet Day – Global First: Five World-Class Ballet Companies, One Day of Live Streaming on Wednesday 1 October
Starting at the beginning of the dancers’ day, each of the five ballet companies – Australian Ballet, Bolshoi Ballet, The Royal Ballet, The National Ballet of Canada and San Francisco Ballet – will take the lead for a four hour period streaming live from their headquarters…
“This is how ecstasy is danced.” Kimin Kim in Concerto DSCH.
…, the first-night Juliet, Diana Vishneva, brought her understanding of MacMillan’s ballet …to Lavrovsky’s older version.
It’s not a perfect show by any means, but come the end you still love Acosta, his spirit and his smile. He remains a potent name, doing potent things for ballet, like filling the ROH…
Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.
If you are keen on seeing new work, this is an attractive package of five varied pieces which is very well presented.
I was suitably sent home happy.