"Nicholas Georgiadis" tag
Nicoletta Manni and Leonid Sarafanov in Don Quixote.© Darren Thomas. (Click image for larger version)

La Scala Ballet – Giselle and Don Quixote – Brisbane

★★★★✰   Nicoletta Manni’s performances in Don Quixote and Giselle on the last three days of Teatro alla Scala ballet company’s season in Australia was extraordinary, not just for her stamina and resilience, but her acting skills.

Federico Bonelli and Laura Morera in Mayerling.© Alice Pennefather, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Mayerling (Bonelli, Morera) – London

★★★★✰   The partnership in Mayerling between Morera and Bonelli is a fine example of how experience can illumine the nuances of a dramatic ballet.

Alina Cojocaru in The Sleeping Beauty.© Foteini Christofilopoulou. (Click image for larger version)

English National Ballet – The Sleeping Beauty – London

★★★★✰   It’s a better Sleeping Beauty than the Royal Ballet’s, but it benefits enormously from a stellar performance at its heart, a reminder of how civilised ballet can be.

Sayaka Ichikawa and artists of Scottish Ballet and Ballet Black in House of Birds.© Dave Morgan. (Click image for larger version)

Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London

★★★★✰   All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.

Viviana Durante.© David Scheinmann. (Click image for larger version)

Viviana Durante on her company and its showcasing of early Kenneth MacMillan works at the Barbican

Viviana Durante on her company and its showcasing of early Kenneth MacMillan works at London’s Barbican on 18 — 21 Apr 2018. Bruce Marriott talks to one of the foremost MacMillan interpreters about her MacMillan celebration showcasing 3 very rarely seen works.

Jillian Vanstone in The Sleeping Beauty.© Karolina Kuras. (Click image for larger version)

The National Ballet of Canada – The Sleeping Beauty – Toronto

★★★★✰   Steeped in the company’s history, this Sleeping Beauty is a real treasure – a lavishly-outfitted and deeply absorbing spectacle which bears the indelible imprint of its creator, the legendary Russian dancer Rudolf Nureyev.

National Ballet of Canada in Rudolf Nureyev's The Sleeping Beauty.© Aleksandar Antonijevic. (Click image for larger version)

Preview – The National Ballet of Canada & Rudolf Nureyev’s Sleeping Beauty – a special combination then and now.

This is a Beauty like no other – the most spectacular classical production in the National Ballet’s repertory and a true jewel of a ballet.

Misty Copeland and Alexandre Hammoudi in Romeo and Juliet.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet (Copeland/Hammoudi) – New York

The million-dollar question for any dancer on the cusp is this: can they carry an evening-length story ballet? The answer, on the evidence of Copeland’s début in Romeo and Juliet, is yes.

Christpher Saunders, Ricardo Cervera and Marianela Nunez in Manon.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

The advantage of a big company accustomed to performing narrative ballets (something we can take for granted with the Royal Ballet) is that it is able to portray a whole society on stage.

Nicolas Le Riche farewell - final curtain calls.© Sébastien Mathé / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – Nicolas Le Riche Farwell Gala – Paris

Only the official retirement age of 42 requires him to leave the company, alas, though he may be invited back as a guest.

Rudolf Nureyev, La Bayadère, Kingdom of the Shades Act, Palais Garnier, 1974.© André Chino. (Click image for larger version)

The Nureyev Collection – Centre national du costume de scène et de la scénographie – Moulins

The triumph of the Nureyev collection at CNCS Moulins is to make the many facets of his profligately talented, maddening personality so vividly alive still.

Carlos Molina in Don Quixote. © Gene Schiavone. (Click image for larger version)

Boston Ballet – Don Quixote – Boston

And I’ll close with more praise of Maina Gielgud. I’ve never seen a ballet she’s set that hasn’t been absolutely first-rate. Boston Ballet has performed her Giselle for many years now and it’s easily my favorite Giselle, just as this production is now my favorite Don Quixote.

Melissa Hamilton and Edward Watson in Romeo and Juliet. © Bill Cooper and courtesy of ROH.

Royal Ballet – Melissa Hamilton debut in Romeo and Juliet – London

They were at last in tune with each other in the bedroom pas de deux, both despairing at his departure. Hamilton came into her own as an actress in her cumulative rage at her parents’ lack of understanding; her resentment at being forced to be Paris’s puppet was compelling. She’d changed from a helpless child to an inwardly defiant young woman…

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