★★★★✰ Far from being just one more interpretation of the ubiquitous Carmen, this Cuban version is a unique retelling of the popular narrative, superbly performed.
Author - Graham Watts
Dance Writer/Critic. Member of the Critics' Circle, Chairman of the Dance Section and National Dance Awards Committee. Writes for leading dance magazines & websites - in UK, Europe, USA, Japan & cyberspace. Graham is based in London.
★★★✰✰ Malambo is a dance form rooted in the traditions of the gaucho (South American cowboys), evolving from long nights by the campfire on the cattle trails of Las Pampas...
★★★✰✰ Williamson’s commission – the first of an ambitious Ballet Now programme for new works – was themed on issues of gender and alienation, with Brandon Lawrence being a man struggling for identity...
★★★★✰ This show defied the norm: a counter-intuitive observation about a spin-off from the archetypal routine of a Saturday evening institution that millions of us watch with our feet up.
★★★★✰ This hour-long solo was a tour de force for a charismatic performer, bearing her soul in a courageous, largely autobiographical account of an upbringing in which there were five simultaneous conversations going on at every mealtime.
For around 80 minutes, Namron entertained his audience, largely comprising past and present luminaries of London contemporary dance, with stories and reminiscences, often breaking into movement, before finishing with a brief question & answer session...
★★★✰✰ Xenos, which apparently means “stranger” or, more aptly for this piece, “foreigner”, is a tangled mass of many things but, above all, it seems to be an essay on loneliness.
★★★✰✰ This excellent ballet is clearly a “keeper” and a work I would like to see again and again.
★★★★✰ NDCW comprises a rich mix of performers, collectively hailing from six countries (although, surprisingly, none appear to have any Welsh heritage). What is even more surprising is that all bar one have joined in the past nine months...
★★★★✰ This is a work that is sinister, in mood, and vivid, in style. It works on many levels of ingenious allusion...
James Finnemore: TERRA Alleyne Dance: A Night’s Game ★★★✰✰ London, The Place 24 April 2018 www.jamesfinnemore.co.uk www.alleynedance.com For some reason, the intended (or, at least, promoted) order of this double bill was reversed and that was a pity. Alleyne Dance’s offering appeared to have the more complicated technical set-up, with a range of floor-based lighting alongside the front row of...
★★★★✰ An hour in the company of Nikki and JD is well spent.
★★★★★ A total of 150 cinemas will show the ballet, which was filmed at the Liverpool Empire, in October 2017
★★★★★ It must be tempting to get carried away by sentiment when it comes to celebrating both a 70th birthday and fifty years as a choreographer in a programme that also marks the departure of a special muse.
★★★✰✰ All-in-all, it was a strange and eclectic evening, fluctuating from the sublime to the excruciatingly boring. ...It has encouraged me to see more of Neon Dance whenever the chance arises.
✰✰✰✰✰ I have to ask how one associates a star rating with a performance in which the largest, continuing visual image is a close-up, slow motion film of an actual death.
★★★★★ I cannot imagine that partnered dance gets any better than this.
★★★★✰ Rarely have I witnessed a prolonged standing ovation midway through a show but it happened here to acknowledge the legendary gypsy bailaora from Barcelona, known as La Chana.
★★★★★ This was flamenco puro in its most fabulous form, dominated – as it should be – by the voice, led by three of the most celebrated of today’s star flamenco singers. It doesn’t get much better.
★★★★✰ Mother was an absorbing 70 minutes of performance art. Mothers were never exactly to the fore and yet – in many respects – they were always apparent...





