★★✰✰✰ It included several new works, two of them by women, part of a worthy new initiative, “Women Who Move Us.”
Author - Marina Harss
Marina Harss is a free-lance dance writer and translator in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s “The Mirador,” Dino Buzzati’s “Poem Strip,” and Pasolini’s “Stories from the City of God” have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss
★★★✰✰ Corella’s current crop of dancers are strong and adaptable, and he seems to favor shorter dancers with very clean footwork and strong technique...
★★★✰✰ The past few years have seen the beginning of a transformation of the Paul Taylor Dance Company – or, rather, as it’s now known, of Paul Taylor’s American Modern Dance. The company is looking to the future...
★★★✰✰ The dancers are young, but already skilled. They’re well trained, well-rounded. But they don’t yet have strong artistic personalities. That can be a good thing...
★★★✰✰ Flamenco is a difficult category to put your finger on these days; there are about as many approaches as there are dancers. But Joaquín Grilo is fairly old-school...
★★★✰✰ Overall, the impression was of a company in top form, at ease in a variety of styles. The dancers have an easy-going, open demeanor that makes even the knottiest works look more appealing.
★★✰✰✰ What’s going on in the head office at the Mariinsky Ballet?
★★★★✰ Clarity of execution is a hallmark of this Seattle-based company, which has been led since 2005 by the former New York City Ballet star, Peter Boal.
★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin...
★★★✰✰ "There are choreographers who make one go hot and cold, and one of those, for me, is Pam Tanowitz."
★★★✰✰ The Bournonville footwork and even the mime are there, but there’s little sense of joy or pathos of any kind.
★★★✰✰ " Bond's strength, for now, lies in a kind of old-fashioned insistence on beauty and her ability to coax sensitive, generous performances out of her dancers."
★★★✰✰ "But it turns out that the pleasures of excess are really not enough to hold one’s interest if the underlying material is thin."
★★★★✰ "One of the things I admire most about these works is the degree to which men and women are interchangeable. Brown’s movement has no maleness or femaleness attached to it..."
In the world of opera, dance has a rather low place on the totem pole. Music critics (and opera audiences) can be pretty dismissive...
★★★★✰ Some nights at the ballet you just get lucky: all the works are beautiful and the program is well balanced, and each of the casts is led by a ballerina who seems just right for the role.
★★★★✰ (20), ★★★✰✰ (21) The temperature in Glass Pieces was uncharacteristically low. Under the baton of Clotilde Otranto, the orchestra sounded muffled...
One of the most effective elements is also the most innovative: the inclusion of a dancer specializing in krumping...
As with the Balanchine version, the Hard Nut’s success is a foregone conclusion.
Warmth, exuberance, power, finesse – all these qualities infuse everything they do.





