Fall For Dance is a genuine feast, a display of unparalleled variety and plenty. When well-balanced, nothing is sweeter... but occasionally the flavors clash, and the abundance overwhelms.
Tag - Herman Cornejo
Cornejo is a splendid actor, as well as partner, but Ferri’s anguish is the tortured heart of the piece. Clarke has enabled her to be her age, a mature woman with a still-youthful body and ever- passionate emotions...
Gallery by Dave Morgan...
Martha Clarke talks to Jann Parry about Chéri - at the ROH Linbury Studio Theatre, 29 Sept – 4 Oct 2015...
Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company - fast...
These are dancers worth following in a wide repertory of works; it’s a shame to see them go while feeling we’ve barely gotten to know them better.
One could imagine a fine partnership developing between Cornejo and Obraztsova. Both are generous and open-hearted performers.
But no end of fine, or even inspired, performances can breathe life into this tired production
American Ballet Theatre know how to do a Gala and this was their 75th Anniversary as well - Everybody seemed to have a good time says Marina Harss...
American Ballet Theatre – Les Sylphides, Pillar of Fire, Fancy Free, Theme and Variations – New York
There are times when a dance lover just can’t believe her good fortune and one of those times comes around once a year in New York...
Critics have compared the new Liam Scarlett to Jerome Robbins’ Dances at a Gathering; if so, it’s as if Dances had been set in an unhappy corner of the planet, for a group of lost souls...
"It was a hell of a performance." Marina Harss on Jerome Robbins’ Fancy Free.
But the true revelation – and the main reason to see this production – is Alessandra Ferri.
No-one could fail to be impressed by the versatility of ABT’s dancers and by the diverse repertoire they brought. They did themselves, their company and their country proud.
The three dancers who took their leave this week – Sascha Radetsky, Yuriko Kajiya and Jared Matthews – are all soloists. Each led a different cast of the company’s 1997 production of Coppélia.
Who but Frederick Ashton could turn a marital spat into one of the most delightful, touching works in the ballet repertoire? His 1964 The Dream is precisely that...
Few nineteenth-century story ballets are as satisfying as Giselle, with its simple and poetic plot, compact structure and starkly contrasting moods. This week I watched four Giselles, with four distinctly different casts...
Novels are treacherous terrain for choreographers. So much of what draws us into a book and imprints itself in our imagination ...is almost impossible to convey in the language of the body.
On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success...
Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.