"Igor Stravinsky" tag
Rupert Pennefather and Emma Maguire in A Month in the Country.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Ashton quad bill – London

Jann Parry reviews Scènes de ballet, Five Brahms Waltzes, Symphonic Variations and A Month in the Country…

Basil Twist's The Rite of Spring.© Richard Termine. (Click image for larger version)

Basil Twist – Fireworks, Pulcinella Suite, The Rite of Spring – New York

Puppeteer Basil Twist is pushing boundaries again in New York as part of the White Light Festival, with a triple bill based on Stravinsky…

The Lost Rite book cover - drawing by Millicent Hodson.© KMS Press and Millicent Hodson. (Click image for larger version)

The Lost Rite – Millicent Hodson and Kenneth Archer document ‘their’ Rite of Spring in a newly released book

Kenneth Archer and Millicent Hodson have contributed a number of articles to DanceTabs and before that ballet.co.uk. Their last piece, on ‘Jeux’ reaching its centenary in 2013, can be found here and includes…

Tiler Peck in Theme and Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Tchaikovsky & Balanchine, Stravinsky & Balanchine bills – New York

One cannot help but be amazed by the number of exceptional women in the company, and by how differently they approach the steps, the music and the temperament of each ballet.

Detail from the book cover of Constant Lambert - Beyond The Rio Grande.© Boydell & Brewer. (Click image for full version of cover)

Book – Constant Lambert, Beyond The Rio Grande – by Stephen Lloyd

Lloyd has written widely on English composers and is meticulous in combing together many fragmentary impressions of Lambert. The book weighs over 1.5 kilos, 419 pages of small print, most heavily annotated in smaller print still, with a further 150 pages of appendices.

Vicktoria Tereshkina in A Midsummer Night's Dream.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – Apollo, A Midsummer Night’s Dream – London

Viktoria Tereshkina has a warm personality and this enhances her dancing. She has long thin limbs and offers expansive port de bras, while her legs whip up effortlessly but with control.

Boston Ballet in Balanchine's Symphony in Three Movements.© Gene Schiavone. (Click image for larger version)

Boston Ballet – Program B: Symphony in Three Movements, L’Apres-Midi d’un Faune, Plan to B, Bella Figura – New York

…the dancers seem able to handle whatever comes their way. It’s a quality that will serve them well in their travels.

Misa Kuranaga and Jeffrey Cirio in Rubies, © The George Balanchine Trust.© Rosalie O'Connor. (Click image for larger version

Boston Ballet – Jewels: Emeralds, Rubies, Diamonds – Boston

To close its 50th anniversary season Boston Ballet mounted a splendid production of Balanchine’s 1967 masterpiece Jewels.

Andrew Veyette, Sterling Hyltin and Company in Justin Peck's Everywhere We Go.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala and Justin Peck premiere, Everywhere We Go – New York

Justin Peck has gone from unknown corps-member to choreographer-of-the-moment in a blink of an eye. (He created his first piece for the company in 2012; this is his sixth.)

Maria Kowroski in George Balanchine's Diamonds from Jewels.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – Washington

In many ways, Jewels is Balanchine’s choreographic résumé – a retrospective and a vivid showcase of his aesthetics and creative genius…

Tom Pecinka in The Soldier’s Tale.© Dana Astmann. (Click image for larger version)

Yale School of Music & Yale School of Drama – The Soldier’s Tale – New York

Stravinsky’s is a bitter tale with folk roots, about a soldier (played by the convincingly guileless, agile Tom Pecinka) returning home from the front who is sidetracked by the devil….

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Dusty Button in William Forsythe’s The Second Detail.© Dave Morgan. (Click image for larger version)

2013 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Baltic Dance Theatre in The Rite of Spring.© Krzysztof Mystkowski. (Click image for larger version)

Baltic Dance Theatre – A Midsummer Night’s Dream, The Rite of Spring – Warsaw

This is as powerful as dance theatre gets and a bill that connects and chimes with us all.

Michael Cook and Natalia Magnicaballi in Duo Concertant.© Linda Spillers. (Click image for larger version)

Suzanne Farrell Ballet – Pas de Dix, Duo Concertant, Tempo di Valse, Agon – Washington

…offered a perfect Balanchine sampler, bringing together an assortment of ballets, full of unexpected juxtapositions, from very different periods of the choreographer’s long career.

Brenda Lee Grech and Victor Zarallo in a poster image for Elite Syncopations and Rite of Spring.© G W Shooting. (Click image for larger version)

Scottish Ballet – The Rite of Spring, Elite Syncopations – Glasgow

An imaginatively contrasting double-bill, it pulled in audiences and left them buzzing.

Ashley Bouder as Choleric with Robert Fairchild and Adrian Danchig-Waring in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Black & White Balanchine bill – New York

What most struck me on this particular evening was the transparency, and clarity of intention, that marked each work.

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Balletic Musings, a Continuing Conversation

Do you perceive a difference between the musicality of American dancers and that of Russian dancers? AR: There is a huge difference in the musicality. I often found Russian dancers unmusical… But they have other qualities…

Shevelle Dynott and Nancy Osbaldeston in Petrushka.© Dave Morgan (Click image for larger version)

English National Ballet – Tribute to Rudolf Nureyev – London

The Tribute bill is a well-chosen one… The season has been so short that the dancers haven’t had time to grow into their roles. They look as though they’re remembering instructions rather than relishing the ballets.

Les Saisons Russes of XXI Century – Firebird, Scheherazade – London

An apologetic Liepa promised to return for a week next time and bring the new Cleopatra with him, but this was an unsatisfying evening in its current form.

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