Royal Ballet – Concerto, Enigma Variations, Raymonda Act III – London
★★★★✰ It is all too easy to assume that the first triple bill of the Royal Ballet’s autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies…
Royal Ballet – Margot Fonteyn, A Celebration – London
★★★★✰ The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.
Viviana Durante Company – THREE/8.38/SEVEN – London
★★✰✰✰ The show at Wilton’s Music Hall, produced and directed by former ballerina Viviana Durante, was originally billed as The Seven Deadly Sins by Kurt Weill and Bertolt Brecht…
Royal Ballet – Frankenstein – London
★★✰✰✰ Could Liam Scarlett’s monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.
Royal Ballet – Don Quixote – London
★★★★★ With Marianela Nunez and Vadim Muntagirov… Theirs was a performance that caught up everyone in the sheer pleasure and excitement of spectacular dancing.
Royal Ballet – Asphodel Meadows, The Two Pigeons – London
★★★★✰ Liam Scarlett’s Asphodel Meadows has made a welcome return to the Opera House stage, reminding us exactly why his prodigious talent was given a main stage debut when the choreographer was just 24.
Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
Royal Ballet – Mayerling (Bonelli, Morera) – London
★★★★✰ The partnership in Mayerling between Morera and Bonelli is a fine example of how experience can illumine the nuances of a dramatic ballet.
World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing
Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
Royal Ballet – Manon – London
★★★★✰ It’s a myth that Kenneth MacMillan’s Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals…
Royal Ballet – The Winter’s Tale – London
★★★✰✰ The return of Christopher Wheeldon’s The Winter’s Tale in its third revival since 2014 brings newcomers to its many meaty roles. It also introduces new audience members to one of Shakespeare’s late plays, with its convoluted plot.
MacMillan Celebrations – Gloria (NB), The Judas Tree (RB), Elite Syncopations (RB+Guests) – London
★★★★✰ Elite Syncopations: Dancers from all five major British ballet companies took part, some doubling up roles in identical outfits so that identifying dancers was confusing. The stand-out solo in both the casts I saw was to the Calliope Rag, Monica Mason’s original role…
5 Questions to Emma Maguire, RB Soloist, about the Ann Maguire Gala and Charity
We talk to Emma Maguire about the Gala that honours the life of her mum, Ann Maguire, and this year takes place at the Leeds Grand Theatre on 3 September. The proceeds go to support the Ann Maguire Arts Education Fund – inspiring young people through the arts…
Royal Ballet – 3 casts in The Dream, Symphonic Variations, Marguerite and Armand – London
★★★★✰ In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.
Royal Ballet – Symphonic Dances (premiere), The Vertiginous Thrill of Exactitude, Tarantella, Strapless – London
★★★★✰ Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.
Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London
★★★★✰ The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.
Interview – Viviana Durante: Ballerina, mother, teacher and coach of MacMillan’s Anastasia
One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante’s leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she’s back at the Royal Opera House, this time to coach MacMillan’s Anastasia, which is where Jann Parry caught up with her…
2016 National Dance Awards – Announcement of Nominations
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 17th National Dance Awards,
Royal Ballet – Anastasia – London
★★★✰✰ The last act redeems the evening. We learn more about the characters in the final 40 minutes than in the two preceding acts.
