"Laura Morera" tag
Wei Wang in Frankenstein.© Andrej Uspenski, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Frankenstein – London

★★✰✰✰   Could Liam Scarlett’s monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.

Marianela Nuñez in Don Quixote.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Don Quixote – London

★★★★★   With Marianela Nunez and Vadim Muntagirov… Theirs was a performance that caught up everyone in the sheer pleasure and excitement of spectacular dancing.

Marianela Nuñez and Ryoichi Hirano in Asphodel Meadows.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Asphodel Meadows, The Two Pigeons – London

★★★★✰   Liam Scarlett’s Asphodel Meadows has made a welcome return to the Opera House stage, reminding us exactly why his prodigious talent was given a main stage debut when the choreographer was just 24.

Fumi Kaneko and William Bracewell in Les Patineurs.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London

★★★★✰   Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.

Federico Bonelli and Laura Morera in Mayerling.© Alice Pennefather, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Mayerling (Bonelli, Morera) – London

★★★★✰   The partnership in Mayerling between Morera and Bonelli is a fine example of how experience can illumine the nuances of a dramatic ballet.

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Francesca Hayward, Christopher Saunders and Elizabeth McGorian in Manon.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

★★★★✰   It’s a myth that Kenneth MacMillan’s Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals…

Ryoichi Hirano and Laura Morera in The Winter’s Tale.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Winter’s Tale – London

★★★✰✰   The return of Christopher Wheeldon’s The Winter’s Tale in its third revival since 2014 brings newcomers to its many meaty roles. It also introduces new audience members to one of Shakespeare’s late plays, with its convoluted plot.

MacMillan Celebrations – Gloria (NB), The Judas Tree (RB), Elite Syncopations (RB+Guests) – London

★★★★✰   Elite Syncopations: Dancers from all five major British ballet companies took part, some doubling up roles in identical outfits so that identifying dancers was confusing. The stand-out solo in both the casts I saw was to the Calliope Rag, Monica Mason’s original role…

Emma Maguire.© and courtesy The Royal Ballet. (Click image for larger version)

5 Questions to Emma Maguire, RB Soloist, about the Ann Maguire Gala and Charity

We talk to Emma Maguire about the Gala that honours the life of her mum, Ann Maguire, and this year takes place at the Leeds Grand Theatre on 3 September. The proceeds go to support the Ann Maguire Arts Education Fund – inspiring young people through the arts…

Alessandra Ferri and Federico Bonelli in Marguerite and Armand.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – 3 casts in The Dream, Symphonic Variations, Marguerite and Armand – London

★★★★✰   In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.

Zenaida Yanowsky in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Symphonic Dances (premiere), The Vertiginous Thrill of Exactitude, Tarantella, Strapless – London

★★★★✰   Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.

Beatriz Stix-Brunell and Valeri Hristov in Emeralds.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London

★★★★✰   The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.

Sarah Lamb and Steven McRae in Rubies.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Jewels – Emeralds, Rubies, Diamonds

Gallery by Dave Morgan…

Viviana Durante.© David Scheinmann, courtesy Viviana Durante. (Click image for larger version)

Interview – Viviana Durante: Ballerina, mother, teacher and coach of MacMillan’s Anastasia

One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante’s leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she’s back at the Royal Opera House, this time to coach MacMillan’s Anastasia, which is where Jann Parry caught up with her…

© Critics’ Circle National Dance Awards

2016 National Dance Awards – Announcement of Nominations

The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 17th National Dance Awards,

Natalia Osipova in Anastasia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Anastasia – London

★★★✰✰   The last act redeems the evening. We learn more about the characters in the final 40 minutes than in the two preceding acts.

Carlos Acosta and Marianela Nuñez in Apollo.© Johan Persson. (Click image for larger version)

Carlos Acosta – The Classical Farewell – London

★★★★✰   “Thank you, Carlos,” boomed one audience member as Acosta ended his performance by changing out of his dance gear, sitting meditatively on stage…

Osbert Lancaster's front screen for Frederick Ashton's La Fille mal gardée.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – La Fille mal gardée – London

★★★★✰   Early arrivals for the opening night of the Royal Ballet’s autumn season could watch Peregrine the pony being escorted to the stage door in readiness for his role in La Fille mal gardée…

Thomas Whitehead in Liam Scarlett's Frankenstein.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Frankenstein – London

★★★✰✰   Liam Scarlett treats Mary Shelley’s 1818 gothic horror novel, Frankenstein, as essentially a domestic drama.

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