★★★★✰ Isadora Duncan's spirit has been honoured, even if the impact of her presence remains elusive.
Tag - Marie Rambert
Ashton Rediscovered Masterclass: "Foyer de danse", coached by Ursula Hageli & Christopher Newton, and the "Le Papillon" solo, coached by Wayne Eagling. Jann Parry with a detail report for DanceTabs..
Although Valerie Lawson's context is wide-ranging, she brings individuals into focus with personal details, shining a spotlight onto their roles in Australian dance history. Lavishly illustrated with photographs from Australian archives, her book gives vivid life to long-gone personalities.
★★★✰✰ Both pieces are demanding and elicit some impressively stylish moments, though there’s a fair amount of unevenness...
For around 80 minutes, Namron entertained his audience, largely comprising past and present luminaries of London contemporary dance, with stories and reminiscences, often breaking into movement, before finishing with a brief question & answer session...
★★★★✰ All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan's death with recreations of his early work.
★★★★✰ Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.
The aim of the annual festival is to celebrate Russian influence in international culture, thanks to Diaghilev’s productions in the first two decades of the 20th century... St Petersburg also wants to boost its reputation as ‘a great forum of the arts’, introducing contemporary creations from different nations to Russian audiences.
Millicent Hodson and Kenneth Archer first put their reconstruction of "The Rite of Spring" on Rio de Janeiro Ballet in 1995. This year they went back to put it on again - this is what happened...
Kenneth Archer and Millicent Hodson have contributed a number of articles to DanceTabs and before that ballet.co.uk. Their last piece, on ‘Jeux’ reaching its centenary in 2013, can be found here and includes links to other articles, either by them or about their work. The Lost Rite Millicent Hodson, Kenneth Archer, Shira Klasmer KMS Press ISBN 099 287 5803, paperback, 250 pages, £54...
Lloyd has written widely on English composers and is meticulous in combing together many fragmentary impressions of Lambert. The book weighs over 1.5 kilos, 419 pages of small print, most heavily annotated in smaller print still, with a further 150 pages of appendices.
Nothing says more about Rambert's need for new premises than a sign taken down from one of the old studios: "Jumping is not allowed in this studio due to structural weakness"
In my book nobody has ever truly rivalled Christopher Bruce in the role, either for pathos or style, but Luke Ahmet came close.
Nijinsky's 'Jeux', like 'Rite', is in its centenary year - lesser known it may be but Archer & Hodson give fascinating detail on its creation and the thought that went into putting on, at UNCSA, their reconstructed version earlier this year.
Obscurer corners of early British ballet are connected in the exhibition 'An Outbreak of Talent', at the Fry gallery in Saffron Walden, Essex until June 30 2013.
Hip hop is rapidly becoming the dominant dance discipline of the 21st century. Something that emerged as raw and explosive from US street culture is now established, codified and taught all around the world.
It’s finally happening: Rambert Dance company’s new headquarters on the South Bank is under way, its foundations well and truly sunk. Before the next phase of building goes ahead above ground, a time capsule in a stainless steel tube was buried in concrete
Rambert provided the marvellous quote: ‘Pavlova excited in people the desire to dance where Diaghilev inspired in people a love of ballet and a love of choreography’.
Rambert... offers a mix of new commissions with rarely-seen work from their archives. Some items had much more impact than others, though not necessarily the ones you might imagine from the programme.