★★★★✰ ...an unexpected, joyful delight, performed with skill and nonchalance...
Tag - Merce Cunningham Dance Company
Released on the 13 March 2020, CUNNINGHAM, the new film about Merce Cunningham, has sadly emerged into a COVID-19 locked down world – but Jann Parry makes a compelling case for seeing it sooner rather than later and CUNNINGHAM is currently available to see at home in many formats.
★★★★✰ The title of the latest triple bill in the Linbury studio theatre is taken from The Observer's dance critic's review of the Merce Cunningham Company's arrival in Britain in 1964.
★★★★✰ On the penultimate day of the fall season, I managed to catch a performance of New York City Ballet’s revival of Merce Cunningham’s Summerspace. The 1958 piece, which had its City Ballet premiere in 1966, was last performed here in 2000.
★★★★★ Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.
★★★★✰ A quote from The Observer's dance critic, Nigel Gosling, in 1964: 'Merce Cunningham and his company have burst on the British scene like a bomb ...heart-warming proof that here is an art with a future...'
★★★✰✰ Tesseract is a curious, sometimes disorienting mix of film, live dance, and projections of filmed live dance.
★★✰✰✰ The dancing feels surprisingly lifeless given the fiery potential of the subject matter. Instead of engaging with the text’s furious, pitiful laments, it gives the impression of simply occurring alongside them...
The Metropolitan Opera in New York staged "Le Rossignol" in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth... the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit...
★★★★✰ Sunday night, the New York dance scene flocked to see three of America’s dance pioneers side by side in “Icons: Graham, Cunningham, Taylor.
Julie Cunningham on Twitter www.rambert.org.uk Julie Cunningham and Company make their debut at the Barbican Theatre on the 8-11 March 2017. Full Details A busy time for Julie Cunningham – this last year she has become Rambert’s first Leverhulme Choreography Fellow and this week unveils her own company in performances at the Barbican. But Cunningham has always been busy since...
With her startling presence, Gillot manages to supply Tree of Codes with the sense of purpose it otherwise lacks.
I’ve seen Garrett + Moulton’s The Luminous Edge three times now, and I’ve yet to plumb its deepest currents...
The company embraces the turn-of-the-20th-century Cecchetti Method, more concerned with anatomic integrity than with razzle-dazzle. Cecchetti’s motto is “purity of line, simplicity of style.” You get the idea.
Tantalisingly brief, I’d love to see more of Bokaer in action and of Daniel Arsham’s fertile imagination.
5 Questions to Sarah Crompton about her new book "Sadler's Wells - Dance House"
Even more than with other choreographers, the costumes and sets are essential elements of Graham’s dance imagination. Think of Martha’s stretchy sack-dress in Lamentation, or the prickly metal tree-dress by Noguchi in Cave of the Heart. They are extensions of the dancers’ bodies, and of Graham’s Jungian world-view.
The Dance Section of the Critics’ Circle announced the winners of the 13th National Dance Awards at The Place on 28th January 2013.
The Dance Section of the Critics’ Circle announced the nominations for the 13th National Dance Awards at a reception held at The Place on 9th November 2012. The winners will be announced 28th January 2013.