
RB, NBoC & ABT dancers at the Joyce Ballet Festival – Prog B, curated by Lauren Cuthbertson – New York
★★✰✰✰ I hadn’t seen much of the well-regarded Cuthbertson, so I was looking forward to this chance to get to know her (she appeared in four of five pieces), as well as the not-always-dubious introduction to new works by new choreographers…

Royal Ballet School – Holland Park bill (mainly Upper School) – London
★★★★✰ The show overall gave us a good slice of what ballet is in 2019, and just how adaptable the students need to be these days – exciting times for them and exciting for us in the audience as well.

American Ballet Theatre – Gala with The Seasons premiere + Ratmansky Trio bill – New York
★★★★✰ It’s impossible not to be impressed by the range of these works, from introspective and conversational (Symposium) to brilliantly classical (The Seasons) to dramatic (Dnieper).

International Draft Works 2019 – Royal Opera House, London
★★★★✰ All ten pieces on show were strong, considered commissions, and more than half came from female choreographers – a heartening boost for this male-saturated field.

Gallery – International Draft Works 2019 – Royal Opera House, London
Featuring emerging choreographers working with the National Ballet of Canada, Royal Ballet of Flanders, Dutch National Ballet, ABT Studio Company, Hamburg Ballet, Birmingham Royal Ballet, Norwegian National Ballet and The Royal Ballet. Gallery by Foteini Christofilopoulou…

Cathy Marston on her new work for Northern Ballet, Victoria, the creative process and more…
Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing
Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Royal Ballet School – Summer Performance, ROH Main Stage – London
★★★✰✰ A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.

Royal Ballet – The Winter’s Tale – London
★★★✰✰ The return of Christopher Wheeldon’s The Winter’s Tale in its third revival since 2014 brings newcomers to its many meaty roles. It also introduces new audience members to one of Shakespeare’s late plays, with its convoluted plot.

Interview – Emily Molnar, Ballet British Columbia’s artistic director, on their work and UK tour
Next month (March 2018) Ballet British Columbia, or Ballet BC as they are commonly known, tour the UK. Diane Parkes talks to artistic director Emily Molnar about the company and the works they are touring which includes a piece by the ultra-hot Crystal Pite…

Feature – Suzanne Farrell Ballet’s Final Performances in Washington
This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems…

National Ballet of Canada and The Royal Ballet – The Dreamers Ever Leave You – London
★★★✰✰ Binet’s aspiration is that audiences should see beautifully trained dancers in a spiritual light, embodying Lawren Harris’s quest for the divine in nature.

Gallery – Royal Ballet and National Ballet of Canada in The Dreamers Ever Leave You
Photographed at Printworks. Gallery by Foteini Christofilopoulou…

‘The Dreamers Ever Leave You’ – Karen Kain on a unique Royal Ballet & National Ballet of Canada collaboration…
Karen Kain, Artistic Director of the National Ballet of Canada, on celebrating Canada’s 150th with a joint work that includes NBoCanada and Royal Ballet dancers in a unique London Docklands event on the 12/13 October… that and lots more

Scottish Ballet – Emergence, MC 14/22 (Ceci est mon corps) – London
★★★★✰ Both are pre-existing ensemble works, the performers virtually anonymous on stage, though named on cast sheets: the company is the star, not the soloists.

San Francisco Ballet – Cinderella – Washington
★★★✰✰ Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.

Australian Ballet – Nijinsky – Melbourne
★★★✰✰ Even after his death, Vaslav Nijinsky suffered from the power and control of others…