The Royal Ballet – The Cellist (premiere), Dances at a Gathering – London
★★★✰✰ In The Cellist, Cathy Marston has taken on a challenging subject for her first commission for the Royal Opera House stage: the real-life story of a much-loved musician Jacqueline Du Pré…
Gallery – Royal Ballet in The Cellist and Dances at a Gathering
Gallery by Foteini Christofilopoulou…
Ballet Icons Gala 2020 – London
★★★★✰ The annual Icons gala provides the chance to see dancers who don’t often appear in London…
Some Memorable Performances of 2019 – London
Lynette Halewood with some reflections on London dance performances over the last year – the good and the less good…
Royal Ballet – The Sleeping Beauty – London
★★★★✰ The Royal Ballet’s current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa’s Imperial Russian ballet should be the flagship of her British company.
Gallery – Royal Ballet in The Sleeping Beauty
Lead Casting: Yasmine Naghdi and Matthew Ball. Gallery by Foteini Christofilopoulou…
Royal Ballet – Margot Fonteyn, A Celebration – London
★★★★✰ The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.
Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London
★★★★✰ Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.
Russian Ballet Icons Gala 2019 – London
★★★✰✰ The annual Ballet Icons gala, now in its 14th year, aims to promote Russian culture while providing a Sunday evening’s entertainment for Russians in London and ballet-lovers…
Royal Ballet – Romeo and Juliet – London
★★★✰✰ Somehow, still at the start of the run, the production seems sanitised, nicely ‘English’ in spite of Nicholas Georgiadis’s imposing Italian Renaissance sets and costumes. Different casts yet to come might bring fresh discoveries…
San Francisco Ballet – The Sleeping Beauty – San Francisco
★★★✰✰ The performance was thrilling …because it marked the Aurora debut of soloist Wona Park, whose Kitri debut in the season-opening Don Quixote got loads of buzz. At just 19, she dances with an ease beyond her years…
Royal Ballet School & Royal Ballet – The Cunning Little Vixen, The Two Pigeons – London
★★★★✰ – Royal Ballet School in Liam Scarlett’s new Cunning Little Vixen. ★★✰✰✰ – Royal Ballet’s Yasmine Naghdi debut in Two Pigeons.
Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
Memorable Performances of 2018 – London
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
Royal Ballet – The Unknown Soldier (premiere), Infra, Symphony in C – London
★★★✰✰ If The Unknown Soldier is dispiritingly low-key, Wayne McGregor’s Infra remains assertively bold…
Gallery – Royal Ballet in The Unknown Soldier, Infra, Symphony in C
Featuring Alastair Marriott’s new “The Unknown Soldier”, Wayne McGregor’s “Infra” and Balanchine’s “Symphony in C”. Gallery by Foteini Christofilopoulou…
Royal Ballet – La Bayadère – London
★★★★✰ In the past, the Royal Ballet’s version, last performed five years ago, has sometimes seemed insubstantial. Not so this time, with a luxury cast in full dramatic mode: Vadim Muntagirov, Marianela Nuñez, Natalia Osipova and Gary Avis…
Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London
★★★★✰ All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.
Royal Ballet – Bernstein Centenary: Yugen, The Age of Anxiety, Corybantic Games – London
★★★✰✰ Leonard Bernstein wrote (in 1949): “I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.’ Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.
Royal Ballet – Giselle – London
★★★★★ Peter Wright’s 1985 production for the Royal Ballet has had many interpreters, all subtly or extravagantly different. Nunez is amongst the finest, a perfectionist who seems realistically earthy as a country girl who loves dancing and ethereal as her defiant spirit.
