Richard Alston Dance Company – Final Edition – London
★★★★✰ 8th March at Sadler’s Wells was the last time we were able to see Richard Alston’s work performed by his own company of dancers. Jann Parry with a full and perceptive review of Alston’s latest work and last company show.
The Royal Ballet – The Cellist (premiere), Dances at a Gathering – London
★★★✰✰ In The Cellist, Cathy Marston has taken on a challenging subject for her first commission for the Royal Opera House stage: the real-life story of a much-loved musician Jacqueline Du Pré…
Russell Maliphant Dance Company – Silent Lines – London
★★★★✰ It’s another remarkable achievement from Maliphant, conjuring poetry out of a bare stage, light and movement.
New York City Ballet – Dances at a Gathering, Everywhere We Go – New York
★★★✰✰ Robbins’ response to Chopin (in Dances at a Gathering) is also extraordinary: sensitive, simple, vulnerable, direct, un-fussy.
Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London
★★★★✰ Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.
5 Questions to Meaghan Grace Hinkis, Royal Ballet Soloist
Meaghan Grace Hinkis, the Royal Ballet soloist, is about to make her debut as Vera in Frederick Ashton’s “A Month in the Country”. 5 quick questions about that and her dancing life…
New York City Ballet – Robbins bill: Interplay, In the Night, N.Y. Export: Opus Jazz – New York
★★★✰✰ There was virtually nothing to fault with “In the Night” on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled
Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
Fall for Dance 2018, Program 1 – Boston Ballet, Sara Mearns, Caleb Teicher & Co, Cie Hervé Koubi – New York
★★★★✰ On the second night the program was offered, Mearns was stunning, but the remaining three pieces, by three different companies were, to varying degrees, engaging, although hers was a tough act to follow.
World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing
Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York
★★✰✰✰ After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.
Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet
★★★★✰ It’s been a very enjoyable homage to Robbins’s versatility…
Les Etés de la Danse, Paris – Homage to Jerome Robbins, Programme 1 – New York City Ballet, Joffrey Ballet
★★★★✰ The programme, performed by two very different American ballet companies, displayed Robbins’s versatility while revealing the similarities in his approach to music.
Zurich Ballet – Swan Lake – Zurich
★★★✰✰ But, at least to my eye, the production’s triumph is its final lakeside act. There, the formations of swans, as originally choreographed by Lev Ivanov, become intricate, delicate, lyrical, and intensely moving.
Paul Taylor American Modern Dance – David H. Koch season – New York
★★★★✰ Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.
San Francisco Ballet – Robbins: Ballet & Broadway quad bill – San Francisco
★★★★✰ There’s nothing like watching a woman crush a man’s neck with her thighs to make you go hmm, maybe that whole #MeToo thing has legs.
American Ballet Theatre – Her Notes, Symphonic Variations, Other Dances, Serenade After Plato’s Symposium – New York
★★★✰✰ The program opened and closed with the most recent works: Jessica Lang’s Her Notes and Alexei Ratmansky’s Serenade after Plato’s Symposium. Both premiered at ABT in 2016, and both are works whose inspiration largely comes from their scores.
Washington Ballet – Les Sylphides, Le Corsaire pdd, Bolero, Prodigal Son – Washington
★★★★✰ It was a pleasure to see this company in such a smart and wide-ranging program. It was even more rewarding to see the Washington Ballet dancers masterly navigating the numerous challenges…
Scottish Dance Theatre – TuTuMucky, Dreamers – London
★★★✰✰ Both are bold, engaging commissions – always welcome from a regional UK dance troupe.
