Carlos Acosta chats to Graham Watts about how things are going after his first few months at the artistic helm of Birmingham Royal Ballet & the impact that Covid-19 has had on his plans...
Tag - Celine Gittens
★★★★✰ In spite of all the problems with performing a proscenium arch ballet in an arena setting with a purpose-built stage, it is no less magical than any other production and in some ways, it works advantageously.
★★★✰✰ Overall, invigorating; a demonstration of the company’s healthy enthusiasm for innovation and playing with the form...
★★★★✰ I look forward to the changes inevitably coming to BRB, but I can't believe any new director will turn their back on such repertoire gems as La fille mal gardee and their Peter Wright Nutcracker.
★★★✰✰ David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as 'two ballets fuelled by power and politics'.
★★★★✰ It was a fine team performance from the company but particular honours go to Momoko Hirata’s Juliet who let us know what she was thinking and feeling at every moment.
★★★✰✰ Peter Wright's glorious ballet might not shine quite so magically in its Bintley/Albert Hall version but the dancers certainly do...
★★✰✰✰ Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.
★★★✰✰ I went to Bristol to catch Coppelia and the specific lead casting of Celine Gittens and Tyrone Singleton - who have now totally transitioned from being rising stars to fully risen Principals.
★★★✰✰ The South tour is particularly interesting this year because it features a new piece by Ruth Brill, a first artist within the company, and this is her first major commission.
Lynette Halewood with her personal selection of London dance memories from the past year...
Gallery by Dave Morgan...
★★★✰✰ Bintley has treated Shakespeare’s drama as a masque, full of spectacle, music and dancing, with elusive characters that are more allegorical than realistic. It doesn’t work as a narrative ballet because the sub-plots are too complicated...
★★★✰✰ Jessica Lang's Wink is an attractive piece, well designed and well made with a clear structure.
Gallery by Dave Morgan...
★★★✰✰ "... Wink is a 4 star piece. We need to see more of Jessica Lang’s work..."
★★★✰✰ When I think of Birmingham Royal Ballet (BRB) under David Bintley I think of tradition with a capital T and the latest double bill underlines that in spades.
Opening night cast of Celine Gittens and Tyrone Singleton reviewed + some thoughts on Delia Mathews and Brandon Lawrence...
Some partnership work because the dancers are so different and others, as here, work because they share a style and approach - unaffected, nuanced, true and richly musical.
David Bintley's Sylvia is a great piece of classical dance and escapist fun.