★★★★✰ The Royal Ballet did themselves a lot of good with the last new bill of the season - a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.
Tag - Nehemiah Kish
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
"I knew that I had to seize my only chance to have a ballet career. Masha Mukhamedov agreed to teach me privately six days a week for ten months..."
★★✰✰✰ I begin this notice with a codicil. Let this preamble show my unbounded admiration for the spirit and rationale of Project Polunin.
Acosta’s Carmen is far from a disaster, propelled by committed performances and Tim Hatley’s dramatic designs...
After an absence of eleven years, the Royal Ballet has finally returned to New York; they’re currently presenting two programs at the Koch Theatre,..
The final triple bill of the Royal Ballet’s season reverts to its founder’s faith in classical ballet as an expressive language.
The programme was so underwhelming that I went twice in succession, to see whether alternative casts could make a difference.
his diverse selection of 17 works (including musical interludes) is a gala in all but name and this one could have been sub-titled “Gems of The Royal Ballet” for all nine dancers hail from that company...
36 pictures by Dave Morgan...
This triple bill, with two world premieres, shows how ably choreographers 85 years apart can refresh the language of classical ballet without distorting it beyond recognition.
It's the Royal Ballet's varied and unique repertoire that has kept me loyal to the company through some very thin times as well as the golden seasons, and this programme is a nice example of what a flick through its back - catalogue can produce.
Now Is All There Is - Bodies in Motion, is an exhibition of 34 stylized images of Royal Ballet dancers taken by photographer Rick Guest.
In the intimate setting of the Linbury Studio Theatre, Lauren was joined by fellow principal, Nehemiah Kish, for an exclusive Masterclass called “The progression of the pas de deux”. Captivating all with her wit and warmth...
Seeing the programme twice confirmed my initial impression that Trespass is the best-wrought work. The other two ballets are interesting as concepts rather than as polished productions. But the programme’s emphasis on creativity and collaboration means that Monica Mason’s farewell contribution to the art form in which she has invested her considerable energy will carry on germinating ideas long...
Barry Wordsworth conducted the trimmed and re-ordered score as though it were great ballet music. If only.
Balanchine famously described a choreographer's job as being like a chef's, and his Ballo della Regina perfectly fulfils the role of amuse-bouche in the Royal Ballet's latest double bill, waking us up and sharpening our appetites for the more serious fare of Bournonville's lovely La Sylphide. It's the fourth ballet the company has tried out in this role and I think it's the most successful.
'Sweet Violets', though over-ambitious, is the best stab at a psychologically complex narrative ballet the company has commissioned for years.